Alabama Liberal is shocked that a Best Picture winner is actually relevant to what’s happening in America, explains how the Academy is usually desperate to dodge this by preferring explorations of historical racism, how “Sinners” uses so many tired tropes that he felt like he’d already seen it before, debunks two unfair criticisms of “One Battle After Another,” and explains why the movie just works on practically every level, and what the movie is REALLY about
Blue in A Red State
This usually never happens in Hollywood. Glad it happened this year.